Sinulog Based Participation Category

/Sinulog Based Participation Category
Sinulog Based Participation Category2019-12-06T15:33:40+00:00


Theme, Concept / Ritual – 10%

Relevance to Sinulog, choice of material as to musicality, movement qualities and expressions, clarity of message and interpretation to dance movement.

-Performance – 30%

Precision and coordination, fluency, alignment, balance, focus, projection, rhythmic and spatial interest

-Choreography – 25%

Creativity and artistry of steps and formation, style and expression.

-Costume – 20%

Artistic choice of color and style, appropriate and relevant to the theme/ritual.

Props – 5%

Effective use of props relevant to the interpretation of the theme/ritual.

-Sinulog Musicality – 10%

Adherence to the use of the Sinulog drumbeats

TOTAL – 100%


  1. The dance entry must depict Filipino culture and tradition.
  2. Concept or theme for costume and performance are left to the discretion of the participants based on their own interpretation of what is relevant to Sinulog. Emphasis must be given to the concept of prayer in dance.
  3. Dance steps, music, costume, accessories and equipment of the dance should be in the context of the chosen theme or concept.
  4. Appropriate footwear consistent to the theme / motif shall be used by all the participants.
  5. The Sinulog beat must be used all throughout the dance interpretation however,   slight variations may be allowed. Any entry who will not use the Sinulog beat shall be disqualified (judges should be strict in implementing this rule because it is the “beat” that differentiates the Sinulog from other Philippine Festival particularly Ati-Atihan and Dinagyang). The beat is the one distinguishing characteristic that should be maintained all through the years or else the Sinulog will lose its identity. A penalty of five (5) points will be deducted from the criteria on musicality for entries that will have more variations than the Sinulog beat.
  6. Live musical or percussion accompaniment must be used. Canned / taped music is not allowed.
  7. A minimum of (30) thirty and a maximum of (50) fifty instrumentalist shall accompany the dancers. A minimum of ten (10) and a maximum of twenty (20) for the choir. As part of the contingent they must be in proper attire consistent to their theme / motif.
  8. All hand props shall be carried by the dancers all throughout the parade route.
  9. In the ritual presentation, huge backdrops like risers and the like are prohibited such that no contingent shall leave props, backdrops, etc. at the back of the Cebu City Sports Center. A (5) five point deduction shall be imposed against any contingent who violates this provision.
  10. Ritual presentation at the Cebu City Sports Center stage shall be limited to five (5) minutes only. Three (3) points shall be deducted from the total score against any contingent who violates this provision.
  11. Music from instruments such as electronic guitars, piano, organ, electronic drum sets, and all other electronic instruments are allowed as long as they can set up within the given time.
  12. Time starts once the dancers move and step on the designated entrance area of the stage likewise the time stops as soon as the first set of dancers step down in the exit area.
  13. The use of infants/toddlers (3 years below) and live animals sacrifices are strictly prohibited. A three (3) point deduction from the total score shall be imposed
  14. The use of flammable materials such as fireworks or pyrotechnics as part of the ritual are strictly prohibited. A three (3) point deduction shall be imposed against any contingent who violates this provision.
  15. When the concept or idea or theme is on preservations and transformation, one should register in the SINULOG BASED CATEGORY characterized by any of the following:
    • Use of legends attributed to the miraculous of the Sto. Nino
    • Use of historical research, legend, folkdances and folklores as well as events related to the origin of the worship of the Sto. Nino by the early Christians.
    • Use of religious activities surrounding the celebration of Pista Senyor.
    • Transition / development from the pagan to Christian concept that is clearly portrayed in the choreography, costumes, props and adaptation.
    • Transformation of a religious tradition from the “old” or original practices of the devotees to Sto. Nino to modern adaptations.
  16. The decision of the Board of Judges in any contest categories shall be final and unappealable. Questions or clarifications will not be entertained after the announcement of winners.
Sinulog Registration Form 2019
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